Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Thursday, September 30, 2010

Tegan & Sara Covered Bad Religion: Not Gonna Lie, I Liked It


Everyone knows I'm a big Tegan & Sara fan. But do not be fooled, that does not mean I love everything they do. I was excited when I found out there was new material from the band to be heard. Excitement quickly morphed into fear when I learned that that new material was a Bad Religion cover.

Tegan and Sara are not new to covering tracks by rock icons, however, to this point rendering these songs in Tegan and Sara form seemed to have happened effortlessly. But, Bad Religion? Tegan and Sara doing Bad Religion-does not compute. My first thought/fear was "Oh no, they're going to suck the life out of this song". I mean for as punk/indie as Tegan's material can sometimes get she's never gone this far into this sound. If Sara was taking reign on the production then I expected an odd interpretation with random riffs and keyboards. I was probably sweating by time I pressed play.


Once I did hit play I was immediately pleased with what I heard. I heard lyrics. For what felt like the hundredth time when hearing a Tegan and Sara track my attention was pulled directly to the words being sung instead of how they were being sung. With punk rock music or any fast, high energy genre I listen to I find myself sucked into the vibe or the pace of the song. When this happens I forget to pay attention to the message. And the message Bad Religion is trying to get across here is painful and relevant and I'm glad Tegan and Sara recreated this song in such a way that the lyrics were what stood out above everything else.

Some might say my initial thought was correct, that they sucked the energy from the very aggressive, "Suffer", I disagree. Yes, Sara stripped it WAY down but she took what was left and turned it into a deeply moving, intense track. The track was already like this but this version is slow and lined with that signature Tegan and Sara heartbreak fans have come to love.

What we end up with is a powerful Bad Religion track translated by a once two-piece band that have become accustomed to using sad lyrics and acoustic guitars as emotional daggers-doing just that with this nearly-naked cover.

This cover is born of the new Tegan & Sara format; Finger picking, Vocal collaboration, Con keys, Sainthood synth and Sara's less quirky more sultry lead vocals.

Tegan and Sara covered Bad Religion and I liked it.

Saturday, July 10, 2010

Exclusive: Interview with Steel Train's Jack Antonoff


If you have internet access then you know who Steel Train are. They're one of the biggest bands in the indie scene right now. After touring with Tegan & Sara for 2 months and conquering the main stage at Coachella they finally released their much anticipated third album, Steel Train, on June 29th. The record has been receiving rave reviews and they have been packing shows in support of it. Now that the people living under rocks are all caught up, I'm excited to bring you an interview with front-man, Jack Antonoff.



I saw Steel Train during Tegan & Sara's spring tour. I've never been to a show where all the bands got along in that way. I have to ask, is there any chance of Steel Train, Holly and TnS touring together again?

That tour was very special in that sense. It felt like summer camp. Like a traveling circus or endless road trip. I was so excited to arrive at every show that for the first time in my life that I actually missed meals. Shocking. Ha. Anyway, of course I'd love to tour with everyone again soon. Can't see it happening in the very near future, but hopefully one day. Touring or not, they are all people that i'm looking forward to working with in one capacity or another. I adore them all.


How was it playing Coachella for the first time ever and on the main stage (according to Spinner, bigger than the stage Phoenix, Thom Yorke and MGMT played on)?

It was wild. We can be very nervous and self-loathing people, so it's extremely hard to enjoy moments as they happen. We're always looking at the next step etc etc. We get exciting news, are thrilled for a minute, and then immediately jump to the next thing. Find another mountain to climb. But with coachella (especially on the main stage) it was all too over the top to deny. There are very few moments like that when you feel like you've really arrived somewhere you've been trying to get to. It's not coachella specifically, it's what it represented for us. A community of bands in a way. A beacon of....something. Haha. Anyway, what i'm trying to say is that one stuck with us for a bit more than a minute.


I am obsessed with the 1969 EP on which you guys covered The Jackson 5, The Beatles and David Bowie. Were you at all nervous about recording and releasing covers of such notable classics?

Not at that time. We were younger and just excited to play those songs. It all came from a simple place. I think that's why it was so fun and easy. When we cover songs now we look at it very differently than we did then. Now we're obsessed with spinning things a different way, making it ours, which is exciting in a totally different way. With 1969, it was just about playing the songs and not thinking beyond that. I'm happy we had the chance to do that because I really can't see it happening again in that way. My next idea is to cover all the bands we've toured with. That'd be a blast


Would you consider another EP with covers from a different year?

Haha. Kinda just answered that. Besides the tour friends idea, I'd like to do 2010. It's been an amazing year for music already and I love the idea of current bands covering each other. It binds us. It's nice. Community. Etc.


What went into the decision to start your own label after cutting ties with Drive-Thru records?

Leaving drive thru is a huge part of this record. For a long time, I've felt like there was a party happening and we were on the outside looking in. We'd been tied up in an archaic and antiquated system that made no sense for a band like us. We started touring in our first bands when we were super young. We put on our own shows back then. It was all DIY, it's where we come from and it's what we know. We've always been an independent band locked up in a world that made no sense to us. Breaking out of that was a no brainer. Something we had been trying to accomplish for years. I'm so thrilled to step into the future and release this record independently. Five years from now everyone will be releasing their own music. I'm really glad to have the opportunity to do it at a time when it's still a risk.


As a member of an independent band, releasing music on their own label, who started booking it's own shows at 15, what would be your advice to new bands trying to get signed?

Getting signed is fine, but just make sure you experience the whole picture before you do. My only real advice is to just go on tour. All the questions get answered on tour. Even if you spend your life savings and play for 6 people....just go on tour.


Will you be signing other bands to Terrible Thrills?

Haven't thought about it yet, but it's not out of the question. Right now we kinda have our hands full on the label side with this record. Maybe we'll sign redd kross!!


The all-female cover album of Steel Train, Terrible Thrills Vol. 1, was such a unique idea. All of the covers sound amazing but were you at all hesitant to let other artists take your material and interpret it-make it their own?

Not at all. The whole point of the project was to hear the songs through each artists own ears (heart). The cast of characters on terrible thrills is so outstanding that I never had a worried moment. It was the opposite. The past few months of getting the songs sent to us was magical. It was better than any gift I've ever recieved.


Will there be a Terrible Thrills Vol. 2? Is this the beginning of something? Will there be other compilations in the future?

There will be something. Not sure exactly what yet...but something. Part of the glory of releasing your own music is the ability to do projects like terrible thrills without some other parties cock blocking you at every turn. We were held up for so long that we have every intention of going completely over the top with music, art and different projects like terrible thrills. Think we'll probably go with the tour friends covers sooner than later?


Do you write all the lyrics for Steel Train songs? Do you ever feel like you're exposing yourself at all or sharing too much lyrically?

Yes to both. The only way I know how to write is to be totaly candid and just to tell the stories I've lived. I believe it's the only way any writer can be unique.....to tell their story. Anything else to me feels like meaningless fodder. But that comes with a massive price. For me personally, I can only talk so much about the darkest moments in my life, and when I put it into songs, it makes me never want to go there in the other moments of my life. It disconnects me from friends and family. Almost like I have nothing left to share cause I've spilled it all out in the songs. It's complicated and isolating. That's why I love touring. I love the silence of being around people that understand that there is often nothing to say. I live my life feeling like I've constantly said too much, so you could only imagine the mixed feelings about putting my history into the songs. It also creates a real issue at the live shows. There is no way to half ass songs that mean that much to you. And that's a wonderful driving force, but it's also draining. Every show is over the top, every story and darkness has to be revisited to play the songs the way they need to be played. It's an honor to share my life, but not always easy or healthy.


I'm also a fan of your other band, fun. How do you balance being in two bands? Will you tour more with fun. later this year?

It's a lot. When i'm not on tour with steel train, i'm out with fun. I used to be in a relationship, that ended and I basically replaced her with another band. I hate not working. I hate not running. Having both bands allows me to constantly press on. It's a shit ton of work, but they are all good problems. The bands also help each other artistically. I feel less of a need to jam every idea into one band. That really helps the individual styles mature as they should.


Links!!!

photo by: Lindsey Byrnes (http://twitter.com/LindseyByrnes)

Friday, June 18, 2010

Sick of Sarah Unveils '2205'


Sick of Sarah has released the title and tracklisting of their new record. The new record will be called 2205, which every Sick of Sarah fan will find adorably sentimental.

And the tracks:

1. Overexposure
2. Simple Parts
3. Giving Up
4. Kick Back
5. Cigarettes
6. Kiss Me
7. One Night Stand
8. Shattered
9. Autograph
10. El Paso Blue
Only 10 tracks??? Yeah I know bummer right? Well, the beauty in that is, as with most indie bands SoS tends to release EPs every once in a while and they seem to always be writing so think of it as just more to look forward to; B-sides baby! Also four of the tracks you already know ("Simple Parts", "Kick Back", "Kiss Me", "Autograph") and I'm pretty sure you can hear some of "Cigarettes" and "Overexposure" in the band's latest "Making of the Album" upload on Youtube. Apparently some material was written over the time spent in the studio in El Paso, TX where the girls recorded. With this in mind I'm guessing "El Paso Blue" is about baby raccoons. No but seriously, there should at least be baby raccoons on the cover.

The band has been speaking on the album being darker, less poppy this time around since the demoing phase. From what I can tell, they're delivering on that. And I don't think that means we'll be singing along any less or that the songs will be less catchy. I just think this means less upbeat with more(complex)structure. Release date yet to be...released.

The first "single" (cause I don't know how seriously indie bands take that word) off the new record will be "Overexposure". Abisha (lead singer) tweeted that they plan to shoot the video for it next month. Also, having wrapped up the recording process I'm sure they'll be touring again soon, probably with Vanity Theft (that's just my guess). So lots to look forward to.

Thursday, May 27, 2010

Everything You Need to Know: St. Vincent

by Shireen June

Annie Clark is St. Vincent.

Not in the way that Stefani Germanotta is Lady Gaga or Alicia Augello Cook is Alicia Keys, because although all three carry pseudonyms, Annie Clark is a creator of technical harmonies, witty lyrics, and prodigious instrumentals carried out by ten other assisting players (just kidding, that only happened on Letterman).



Clark’s accompaniment, despite the elaborate Letterman performance, is never anything less than intricate. Having seen her perform twice in the past year, I’m always in awe every time a new instrument enters the stage. It’s when I witness her give a starting nod to the keyboardist-turned-violinist that I appreciate the talent of a frontman, or in this case frontwoman.

However in order to be an honest writer, I’ll admit to having first previewed Clark’s album after walking past a vinyl copy of her latest release “Actor” in a nearby record store exactly a year ago. To get to the point, it was the face.


It was a vinyl cover unlike any around it, and when I bought it days later I found that it was a beautiful record, unlike any I’d heard before.

I also saved an image the cover as the background on my cell phone. No regrets.

The songs initially sounded like a cross between my vivid memories of watching Disney movies as a kid, and my less-than apprehensible memories of listening to Led Zeppelin as an adolescent. I think it was the intriguing contrast between Clark’s soft voice and her intimidating ability to slay on a guitar.

It all adds to the charm.

Clark, who now resides in New York when off tour, has opened for artists like Grizzly Bear, Death Cab for Cutie, The National, Andrew Bird, and Arcade Fire. Her earlier career began soon after dropping out of Berklee’s School of Music when she became a member of Sufjan Stevens' touring band and The Polyphonic Spree. Most recently, she collaborated with Bon Iver in the heartbreakingly magnetic song “Roslyn,” which was composed for the soundtrack of the overwhelmingly popular film New Moon.

With some summer shows lined up, St. Vincent will make her way to your area in which case you should definitely attend. Don’t take a date, because you’ll find yourself more focused on the stage more than any show you’ve attended before (and perhaps slightly hypnotized).

Do not take St. Vincent with any other drugs or alcohol.

Symptoms may include rapid heartbeat, over stimulation of the eyes, uncontrollable smiles, and sonic joy bursting into your ears.


Between her two albums released under the moniker St. Vincent (“Marry Me” and “Actor”), here are some songs worth checking out:


1. Actor Out of Work

2. Paris is Burning

3. Jesus Saves, I Spend

4. The Party

5. Now Now

6. Marrow

7. Your Lips are Red

8. What Me Worry?

9. The Strangers

10. Marry Me


~ Shireen June (http://twitter.com/GiantJune)


Band: http://www.ilovestvincent.com/

Monday, May 24, 2010

Everything You Need to Know: Blood Red Shoes

by Sarah Bastin

November 2007. I am taking photos of the Festival Les Inrocks for Brain Magazine. It’s my first time at this Festival, and if I remember well, it’s the opening night. Cold War Kids is headlining this first day but 2 hours before, I was stoked by a duo, Blood Red Shoes.

A drumset and a guitar. Then I remember the blond hair of steve and his blue eyes. But mostly I remember Laura-Mary. How pale is her skin and how dark are her eyes. I instantly got a crush on her, him, them. She acts shy but she rocks hard. Steve looks like a tiny boy but his big eyes are all opened.

I try to do my best to take photos. It’s complicated. I am far from the stage. I am not in the front row. The band is awesome and I am struggling against the work I have to do and the sensations that I feel. Blood Red Shoes gave me sweet warm feelings that I needed. "I Wish I Was Someone Better" blew my mind. So did "It’s Getting Boring by the Sea". Short songs full of riffs suit to my present life. It’s punk rock with the pop that we need. After the show, I’ve spent two weeks listening non stop to their first album. Buying it online, looking for their vinyls in Paris.


A year later, in 2008, Blood Red Shoes played a new show in Paris. The same night as Motorhead. First row in a pit full of photographers. Again, nothing on the stage but a drum set and guitars. It’s empty and I already love it. Laura-Mary is wearing the exact same shoes. Black ones. I remembered them as high heels. They are not. "Say Something, Say Anything" is epic and the band offers 3 exclusive new songs.


I don’t remember their titles but they are probably part, today, of their new album, Fire like this. After 3 years of intense listening to their music, I saw Blood Red Shoes for the first time in 2 years, at their show in Paris. I am here to film their set for Le Hiboo and I am excited and anxious just like the beginning of term. The new record is a bit more pop but "Don’t Ask" is an amazing single. The show was sold out and I am happy for this band. They played festivals and they deserve to have their own public. I am a bit scared too. What if nothing has changed? What if they don’t give something new?


This time I am on the left side, right in front of Steve who is facing me. I admit that I don’t remember Laura-Mary’s shoes but she has replaced her dresses for a large Led Zep tee and a skinny jean. Again, she rarely looks at the crowd while she is mastering her guitar. They are both themselves. At least, the same duo from 2007. But 3 years later, they are offering us a show with much more nuances of the rock music. Discret electronic drum intros, slow and fast tempos in the same song. "When We Wake" makes me want to stop filming and enjoy the song. It’s something heavy, weak, sweet, sour, fragile and strong. It’s the perfect symbol of a complementary duo, of an (apparently) shy girl offering heavy riffs, of a tiny blond boy with a huge drum set.

Titles, in no specific order :
ADHD
Can’t Find the Door
Don’t Ask
I Wish I Was Someone Better
It’s getting Boring by the Sea
Say Something, Say Anything
You Bring Me Down
Light It Up
When We Wake
Follow the Lines

~ Sarah Bastin (http://twitter.com/SarahBastin)

photo by Sarah Bastin

Saturday, May 22, 2010

Everything You Need to Know: Now, Now Every Children

by Maya Powell

I first heard Now, Now Every Children on a Monday. And a depressing one too. It was the beginning of October, which by Minnesota standards is the dead of winter. I wish I could remember who recommended them to me, but i’m stuck thinking it was some generous higher power. The first track I played was ‘We Know Martha Webber’, the third track off of their 2008 album Cars. Instantly entranced by lead singer Cacie Dalager’s soft yet potent voice and drummer Bradley’s delicate yet complex beats, I left my October-blues behind and executed an odd assortment of air-drumming, head banging, and jumping on my bedroom floor. I was, what many NNEC fans may admit to being, an instant super fan.

Almost as fast as the 2 minute 48 second song starts as a calm indie tune and escalades into a thunderous rush of synths, guitars, and cymbals, I entered the online world of NNEC. After tweeting, friending, and watching all the youtube videos I could get my paws on, I came to two very satisfying conclusions:

1. They are funny.

2. They are from Minnesota.


Funny is a very important part in liking a band for me. It’s a connection that a band creates that makes me want to buy the concert ticket just as much as the music does. I like watching 30-second videos of my favorite bands doing karaoke to 80’s hits in the van on their way to their next gig. And I appreciate the tweets that simply say “Shitballs.” NNEC, fully immersed in the interwebs via twitter, youtube, tumblr, stickam, and more, thoroughly filled my comedy quota. Complimentary to the humor is the fact that they are local. By default, I like bands a gazillion times more if they are local because I like to support the amazing music scene that has come through in Minneapolis. So to recap, crazy good music plus good humor with the fans plus local equals NNEC.


Now, Now Every Children - Friends With My Sister from Brandon Chesbro on Vimeo.


NNEC definitely has a ‘sound’, although I’m not sure that my mediocre vocabulary could find the words to do it just. Here’s my attempt: NNEC constructs synth based songs that start soft and escalade into full out guitar jams, then wind down into gentle outros that force you to click the repeat button. Cacie sings vocals that sound so frank and sincere you almost feel like you’re sitting in a room adjacent to her, listening to her write the song. Her slightly distorted guitar riffs make even the most casual listener wonder ‘why DON’T I play the guitar?’ Bradley creates intense, syncopated rhythms, clashing with the melody and chords to make a sound that is so powerful and different from rock music today. Touring band Britty, Christine, and Jess make their songs sound full and forceful live, compelling even the most apprehensive concertgoer to awkwardly sway with the person next to them. My favorite song, ‘Headlights’, off of Cars, is the kind of song that I listen to everywhere. I sit on my bed lip-synching to it. I get strange looks from people at lunch when I can’t help but shuffle my feet to it’s radiating beat. I get disapproving comments from my chiropractor when trying to explain that I strained my neck head banging to the half-time climax of the song.


The accumulation of all of these elements makes Now, Now Every Children my favorite band- The inspiring melodies, witty charm, and blatant hipster appearance are the grounds of my, and many other fans', tremendous love for Now, Now Every Children.


Playlist

1.Cars
2. We Know Martha Webber
3. Everyone You Know
4. Headlights
5. Have You Tried
6. Holiday, Birthday Funeral
7. Friends With My Sister
8. In My Chest
9. In The City
10. Little Brother


~ Maya Powell (http://twitter.com/Turtleturd6736)


Band: http://myspace.com/nownoweverychildren